26.7.09

The Uniform Project




Bridget Harvey wrote: Wearing one dress every day for a year is not a new idea (see brown dress project) but The Uniform Project has taken it to a new level.

In order to raise money for the Akanksha Foundation one New Yorker is wearing an identical dress for 365 days, making a statement against fast fashion and trends while also showing a commitment to dressing individually without having to own lots of different garments, shopping for and discarding items all the time.

She has 7 identical dresses (one for each day of the week) and donated, thrifted or pre-owned accessories to adorn herself with. The dress itself is a well thought out design. It is reversable and can be worn open or buttoned, the material has been chosen for its seasonal versatility and it is a fairly classic design enabling the dressing up or down for all occasions.

Although washing the dress after each wear is not the most eco-friendly idea the whole concept of the uniform project is a very interesting comment on consumerism and individuality from a sustainable perspective.

20.7.09

Grassroots Day


TED Research assistant Clara Vuletich and PhD student Jen Ballie, recently participated in a site-specific project called Grassroots, which was an event for all MA students at Chelsea, from fine art, graphics and textiles, exploring the theme of 'treading lightly' to coincide with the RSA's Arts & Ecology week of the same name in June.

Based at the wonderful Crystal Palace site in South London, the project organisers (including David Cross from Camberwell) hoped that spending several days in the park and camping overnight, would encourage participants to use the site as an impetus to think about sustainability in relation to art and design practice. The participants were to make on-site work which would be visited by everyone at the end of the two days.

The TED members met the rest of the group half way through the first day and we were taken on a walk around the park with a herbalist who specialised in making teas and herbal tonics using local English herbs and plants.

The TED team then delivered a workshop on 'your favourite garment', asking participants to reflect on a piece of clothing they were wearing and why they like it and if and how they repair/mend it.

10.7.09

Slow Down Fashion ?


The degree shows are all finished now here at Chelsea and it has been an outstanding year for textiles. There was a wide variety of work, including several students who are exploring sustainability issues. It is not compulsory that students incorporate sustainability into their work however they are introduced to eco textile ideas from their first year, and this continues through to many of them writing their final year dissertations on the topic as well as exploring it on their studio work.

We will be featuring a few of these graduates on the blog in the next few weeks.

First up is Ania Szyszkiewicz, who produced a collection of simple dress shapes using second hand fabrics that she has quilted into squares, creating pixellated images of faces and the slogan 'say no'.

Ania really engaged with fashion and sustainability issues and also wrote her final dissertation on the topic. It was titled Slow Down Fashion – Utopia or the Way to Reconnect with the Environment and Ourselves? and explores the negative impact of fast-fashion on the environment and society. She analyses human needs in order to determine the reasons for why customers buy, keep and discard their clothes and also looks at possible solutions such as the slow design movement and case studies an Internet community of bloggers who incorporate the slow ideologies into their activities.

6.7.09

Extended Life Textile Techniques Publications

Workshop 7, July 2009.

The Slow Textiles Group is a new textiles platform set up by TED member, Emma Neuberg. It aims to aid in the dissemination of textile methodologies that are sustaining as well as sustainable. It is open to all.

The group's ethos is based upon a Population Approach that elucidates the relationship between sustainable systems and societal well-being. Their forthcoming workshops are now listed on the SLOW TEXTILES website and publication of each workshop with its unique dissemination template of Practical, Symbolic, Sustainable and Immaterial Content will be downloadable soon - FREE to members.

30.6.09

Hand Me Downs

hand me down jacket hand me down jacket hand me down jacket

Ethical clothing label Howies have launched a new clothing range called Hand Me Down. It comprises of a small collection of 'long life' garments including a jacket for men and women, and three types of bags – a backpack, messenger bag and a satchel.

Each item is guaranteed for 10 years from the purchase date but is expected to last a lot longer than that. The idea is also that you can hand it on to someone else when you are finished with it. As it is designed to have a future heritage value it may inspire you to treasure it more, adding to its emotional value. Your choice of recipient is likely to be careful selected, and its modern design (laptop pockets etc) mean that this is also a functional, practical item.

As most companies would prefer you to buy new goods from them rather than keeping something for a decade or more, this collection is somewhat an anomaly in the retail world.

Howies look upon it as good use of our limited resources. These items also have Slow Design connotations, as the materials and design have been chosen to have longevity – the organic ventile cotton is exceptionally tough, the location and environmental production values are taken into consideration - the tweed is produced in Scotland and dyed with woad, a natural dye with an indigo style colour to it and the zips, buckles etc designed to be rust-proof and long lasting. All part of Howie's desire to make people think about the world we live in, and, in my opinion, a good way to do it.

18.6.09

Digital Textile Design book published


TED member Melanie Bowles has co-authored a book called Digital Textile Design. The book provides the know-how for students and professionals who wish to use Adobe Photoshop and Illustrator as design tools. There is a series of inspirational tutorials, presented in step-by-step format, to guide you through the process of creating designs that will be suited to both the traditional textile production process, and to the new industry of digital printing onto fabric.
The book also contains a designer profile on TED member Rebecca Earley, and several graduates of the textile course at Chelsea including Helen Amy Murray and Chae Young Kim.

15.6.09

'Cultural Collage' project second stage



The second stage of the Cultural Collage project took place at Chelsea recently. As mentioned in a previous post, the project is a collaborative one between designers at UTS in Sydney, Australia and Universidad Diego Portales in Santiago, Chile. The first round involved all the groups choosing a plastic object and making some sort of 'design intervention'. These objects were then sent on, and we have just received the objects chosen by the Chilean designers.

The group had assempled in a room and the package sent from Chile was ceremoniously opened. The object that each designer chose by 'lucky dip' , is the one they now have to work on. Most of the objects seemed to be parts or forms from old shoes, either trainers or footbal shoes.
The designers have all taken their objects and will now go away and make another 'intervention' before it gets sent on to Australia.